My new sculpt, which is now ready to be cast. The wider strip around the top and back, with the weird-looking bumps, is flashing, which will give me some room to trim down, so an area that can suffer damage both for the mould I’ll create and the final mask. The weird bumpy bits are pry points to cram a chisel into, to get the clay and the life cast out of the mother mould once it’s dry.
I’m now getting a little nervous, because this next step (moulding) has been my screw-up point before. *This time, I’ll not make it overly bulky. I won’t use a release agent either, because with Monster Clay that just seems to make the plaster for the mould drip off, allowing air bubbles to form.
I think that the thing is that, after seven months of working with Plaster of Paris, I just don’t like it as a material. Its sets too quickly, and my anxiety makes me panic, hence one of the reasons for the screw-ups.
So: planning, taking it slowly, don’t make the mould too massive, apply two layers of Plaster of Paris so I can work with it as it’s still a fluid, and apply modroc bandages between the two layers to add strength to my small-mass mould.
I’m now working with foam latex, rather than liquid latex… so my last mask failed because my mould was so huge that the latex didn’t cure in the oven. The bake time is 2-3 hours, and I realised that a lot of that time was spent just getting the plaster mould up to temperate… Hence the planned smaller-mass mould this time.
My fingers are so over-crossed that I think I might need surgery.